• Regina Anzenberger

    portfolios

  • the australian journey - prolog
  • the australian journey - riverbed rocks
  • the australian journey - rainforest
  • the australian journey - floating bonds
  • the zen moment
  • roots & waltz
  • roots & waltz sf series
  • roots & waltz II
  • die verwandlung
  • gstettn
  • gstettn - the illusion of summer
  • gstettn - native grounds I
  • gstettn - native grounds II
  • gstettn - winter flowers
  • shifting roots
  • native grounds
  • goosewalk
  • roots & bonds
  • extended (roots & bonds)
  • roots & bonds II (durchatmen)
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my basket ()
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bookshop


  • news
  • projects
  • books
  • exhibition views
  • about
  • contact
  • press
  • my basket ()
  • bookshop
    my basket ()
    |
    contact
    |
    gallery

 

    Regina Anzenberger

    portfolios

  • the australian journey - prolog
  • the australian journey - riverbed rocks
  • the australian journey - rainforest
  • the australian journey - floating bonds
  • the zen moment
  • roots & waltz
  • roots & waltz sf series
  • roots & waltz II
  • die verwandlung
  • gstettn
  • gstettn - the illusion of summer
  • gstettn - native grounds I
  • gstettn - native grounds II
  • gstettn - winter flowers
  • shifting roots
  • native grounds
  • goosewalk
  • roots & bonds
  • extended (roots & bonds)
  • roots & bonds II (durchatmen)
  • imperfections
  • imperfections collector's portfolio
  • under the apple tree
  • tulips
  • biography

For her book project Under the Apple Tree photographer Regina Anzenberger invited her family members to portrait sessions and condensed the resulting works into an album. The pictures were taken with a Rolleiflex camera, mostly outdoors, in gardens that refer to the apple tree in the title. Analog technology is a crucial element of the series. Today, it is an anachronism, just as the photo album or the family portrait genre itself is. All the small steps that are necessary for the analog process: inserting the film, focusing, rewinding – and the mystery of an image that is created without being immediately visible – contribute to its ritual character.  The eponymous apple tree is both an actual setting, anchored in the photographer's biography, and a mythical place: a place of longing to which there is no return and which is not dissimilar to photography, which always powerfully evokes a present that is always already past. (Fabian Knierim)

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1100 Vienna, Austria
t +43 1 587 8251

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